Anna Karenina tells of the doomed love affair between the sensuous and rebellious Anna and the dashing officer, Count Vronsky. Tragedy unfolds as Anna rejects her passionless marriage and must endure the hypocrisies of society.
Set against a vast and richly textured canvas of nineteenth-century Russia, the novel's seven major characters create a dynamic imbalance, playing out the contrasts of city and country life and all the variations on love and family happiness.
Virtually unknown during his lifetime, Franz Kafka is now one of the world’s most widely read and discussed authors. His nightmarish novels and short stories have come to symbolize modern man’s anxiety and alienation in a bizarre, hostile, and dehumanized world. This vision is most fully realized in Kafka’s masterpiece, “The Metamorphosis,” a story that is both harrowing and amusing, and a landmark of modern literature. Bringing together some of Kafka’s finest work, this collection demonstrates the richness and variety of the author’s artistry. “The Judgment,” which Kafka considered to be his decisive breakthrough, and “The Stoker,” which became the first chapter of his novel Amerika, are here included. These two, along with “The Metamorphosis,” form a suite of stories Kafka referred to as “The Sons,” and they collectively present a devastating portrait of the modern family.
Also included are “In the Penal Colony,” a story of a torture machine and its operators and victims, and “A Hunger Artist,” about the absurdity of an artist trying to communicate with a misunderstanding public. Kafka’s lucid, succinct writing chronicles the labyrinthine complexities, the futility-laden horror, and the stifling oppressiveness that permeate his vision of modern life.
Newly engaged, Ellie is thrilled to be accepted into the loving Cooper clan—which seems like the perfect family she never had—until she begins to realize that Dan’s mom, Linda, is a little too involved. Dan and Linda talk on the phone every day. Twice a day. As Dan and Ellie’s intimate civil wedding ceremony gets transformed into a black-tie affair, Ellie begins to wonder if it’s possible to marry the man without marrying his mother.
As troubles mount, Ellie turns to her friends—glamorous Lisa, who always looks like she’s just stepped off a runway, and wonderfully frazzled Trish—and tries to rediscover the independence she once had, and the man she still loves. But it seems that having a child and saving a marriage means growing up in ways she’d never imagined . . .
Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are valued only if their ovaries are viable. Offred can remember the years before, when she lived and made love with her husband, Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now...
The most famous of seductive evil in Western Literature, blood-thirsty Count Dracula has inspired countless movies, books, and plays. But, few, if any, have been fully to Bram Stoker's best-selling novel of mystery and horror, love and death, sin and redemption.
Written in the form of letters and diary entries, Dracula chronicles the vampire's journey from his Transylvanian castle to the nighttime streets of London. There, he searches for the blood he needs to stay alive - the blood of strong men and beautiful women - while his enemies plot to rid the world of his frightful power.
In Dracula, Stoker created a new word for terror, a new myth to feed our nightmares, and a character who will undoubtedly outlive us all.
Joseph Conrad once said of his friend Henry James, “As is meet for a man of his descent and tradition, Mr. James is the historian of fine consciences.” As it turns out, James was also incredibly gifted at writing exceptional ghost stories. This collection—including “The Beast in the Jungle” and “The Jolly Corner”—features James’s finest supernatural tales, along with criticism, a discussion of the legacies of James’s writing, and provocative study questions.
Idealistic young scientist Henry Jekyll struggles to unlock the secrets of the soul. Testing chemicals in his lab, he drinks a mixture he hopes will isolate - and eliminate - human evil. Instead it unleashes the dark forces within him, transforming him into the hideous and murderous Mr. Hyde.
The Strange Case of Dr. Jekyll and Mr. Hyde dramatically brings to life a science-fiction case study of the nature of good and evil and the duality that can exist within one person. Resonant with psychological perception and ethical insight, the work has literary roots in Dostoevsky's "The Double" and Crime and Punishment. Today Stevenson's novella is recognized as an incisive study of Victorian morality and sexual repression, as well as a great thriller.
This collection also includes some of the author's grimmest short fiction: "Lodging for the Night," "The Suicide Club," "Thrawn Janet," "The Body Snatcher," and "Markheim."
When it first appeared in 1899, Kate Chopin’s The Awakeningwas greeted with cries of outrage. The novel’s frank portrayal of a woman’s emotional, intellectual, and sexual awakening shocked the sensibilities of the time and destroyed the author’s reputation and career. Many years passed before this short, pioneering work was recognized as a major achievement in American literature.
Set in and around New Orleans, The Awakening tells the story of Edna Pontellier, a young wife and mother who, determined to control her own life, flouts convention by moving out of her husband’s house, having an adulterous affair, and becoming an artist.
Beautifully written, with sensuous imagery and vivid local descriptions, The Awakening has lost none of its power to provoke and inspire. Additionally, this edition includes thirteen of Kate Chopin’s magnificent short stories.
What if a successful, single Londoner and a comfortable, Connecticut mother of two were to walk in each other's shoes for a month? Vicky Townsley is the director of Poise! magazine and lives a glamorous London life. She has everything she wants?except marriage, children, and a house in the country. Amber Winslow has a stone mansion in Connecticut, two kids, and a nanny, but she hasn't found the fulfillment she had expected from being a wife and mother. When she spots an intriguing contest in Poise! Amber impulsively enters, never expecting to be picked.
A must-read for every modern woman who's ever considered the road not taken, Swapping Lives is a warm and realistic chronicle of two women who do more than wonder if the grass is greener on the other side of the Atlantic.
Mary Shelley began writing Frankenstein when she was only nineteen. At once a Gothic thriller, a passionate romance, and a cautionary tale about the dangers of science, Frankenstein tells the story of committed science student Victor Frankenstein. Obsessed with discovering the cause of generation and life and bestowing animation upon lifeless matter, Frankenstein assembles a human being from stolen body parts but upon bringing it to life, he recoils in horror at the creatures hideousness. Tormented by isolation and loneliness, the once-innocent creature turns to evil and unleashes a campaign of murderous revenge against his creator, Frankenstein.
Frankenstein, an instant bestseller and an important ancestor of both the horror and science fiction genres, not only tells a terrifying story, but also raises profound, disturbing questions about the very nature of life and the place of humankind within the cosmos: What does it mean to be human? What responsibilities do we have to each other? How far can we go in tampering with Nature? In our age, filled with news of organ donation genetic engineering, and bio-terrorism, these questions are more relevant than ever.
Peter Pan first flew across a London stage in 1904, overwhelming audiences with its tale of a magical boy who never grows up, who lures young Wendy and her brothers to Neverland where they meet pirates, Indians, fairies, and the Lost Boys. Following the play’s astonishing success, J. M. Barrie revised and expanded the story and published it as this novel, originally titled Peter and Wendy when it appeared in 1911. For children, it remains a marvelous mix of fantasy and adventure, featuring unique, imaginative characters, who frisk and frolic in an enchanting land.
For adults, the story of Peter and the Lost Boys works on a much deeper level, speaking to them about the inevitable loss of childhood and the ability “to fly.” The climactic duel between the “proud and insolent youth” (Peter Pan) and the “dark and sinister man” (Captain Hook) is both a swashbuckling romp and a moving metaphor for the complex, poignant struggle between innocent but irresponsible youth and tainted but dependable maturity. Neither side wins, for the one inevitably becomes the other. Of course, the ageless Peter Pan is the happy exception.
Action, adventure, and excitement spill from the pages of Rudyard Kipling’s best-loved collections of stories, The Jungle Books. Set in magical, mysterious India, these tales of people and animals living together--though not always harmoniously--in the world of nature have appealed equally to children and adults since their first appearance more than a century ago. Most focus on Mowgli, a boy raised by wolves. As Baloo the sleepy brown bear, Bagheera the cunning black panther, Kaa the python, and his other animal friends teach their beloved “man-cub” the ways of the jungle, Mowgli gains the strength and wisdom he needs for his frightful fight with Shere Khan, the tiger who robbed him of his human family. But there are also the tales of Rikki-tikki-tavi the mongoose and his “great war” against the vicious cobras Nag and Nagaina; of Toomai, who watches the elephants dance; and of Kotick the white seal, who swims in the Bering Sea. This edition includes both the original Jungle Book(1894) and The Second Jungle Book (1895), written in response to the original’s enormous success.
When MacKayla's sister was murdered, she left a single clue to her death, a cryptic message on Mac's cel phone. Journeying to Ireland in search of answers, Mac is soon faced with an even greater challenge: staying alive long enough to master a power she had no idea she possessed - a gift that allows her to see beyond the world of man, into the dangerous realm of the Fae.
As Mac delves deeper into the mystery of her sister's death, her every move is shadowed by the dark, mysteriou Jericho...while at the same time, the ruthless V'lane - an alpha Fae who makes sex an addiction for human women - closes in on her. As the boundary between worlds begins to crumble, Mac's true mission becomes clear: to find the elusive Sinsar Dubh before someone else claims the all-powerful Dark Book - because whoever gets to it first holds nothing less than complete control both worlds in their hands.
Twenty-two-year-old Skeeter has just returned home after graduating from Ole Miss. She may have a degree, but it is 1962, Mississippi, and her mother will not be happy till Skeeter has a ring on her finger. Skeeter would normally find solace with her beloved maid Constantine, the woman who raised her, but Constantine has disappeared and no one will tell Skeeter where she has gone.
Aibileen is a black maid, a wise, regal woman raising her seventeenth white child. Something has shifted inside her after the loss of her own son, who died while his bosses looked the other way. She is devoted to the little girl she looks after, though she knows both their hearts may be broken.
Minny, Aibileen's best friend, is short, fat, and perhaps the sassiest woman in Mississippi. She can cook like nobody's business, but she can't mind her tongue, so she's lost yet another job. Minny finally finds a position working for someone too new to town to know her reputation. But her new boss has secrets of her own.
Seemingly as different from one another as can be, these women will nonetheless come together for a clandestine project that will put them all at risk. And why? Because they are suffocating within the lines that define their town and their times. And sometimes lines are made to be crossed.
In pitch-perfect voices, Kathryn Stockett creates three extraordinary women whose determination to start a movement of their own forever changes a town, and the way women--mothers, daughters, caregivers, friends--view one another. A deeply moving novel filled with poignancy, humor, and hope,The Help is a timeless and universal story about the lines we abide by, and the ones we don't.
Nan Powell is a free-spirited, sixty-five-year-old widow who's not above skinny-dipping in her neighbors' pools when they're away and who dearly loves her Nantucket home. But when she discovers that the money she thought would last forever is dwindling, she realizes she must make drastic changes to save her beloved house. So Nan takes out an ad: Rooms to rent for the summer in a beautiful old Nantucket home with water views and direct access to the beach.
Slowly people start moving in to the house, filling it with noise, laughter, and with tears. As the house comes alive again, Nan finds her family and friends expanding. Her son comes home for the summer, and then an unexpected visitor turns all their lives upside down. As she did so masterfully in her numerous New York Times bestselling novels, including Second Chance, Jane Green once again proves herself one of the preeminent writers of contemporary women's fiction.
David's wife is dead. At least, he thinks she's dead. But he can't figure out what killed her or why she had to die, and his efforts to sort out what's happened have been interrupted by his discovery of a series of elaborate and escalating threats hidden in strange places around his home—one buried in the sugar bag, another carved into the side of his television. These disturbing threats may be the best clues to his wife's death:
CURL UP ON MY LAP. LET ME BRUSH YOUR HAIR WITH MY FINGERS. I AM SINGING YOU A LULLABY. I AM TESTING FOR STRUCTURAL WEAKNESS IN YOUR SKULL.
Detective Chico is also on the case, and is intent on asking David questions he doesn't know the answers to and introducing him to people who don't appear to have David's or his wife's best interests in mind. With no one to trust, David is forced to rely on his own memories and faculties—but they too are proving unreliable.
The Night of Souls—when the veil between the living and the dead is thinnest—is only days away. Albion is at war . . . and losing. And fifteen-year-old Kate Winters has just raised a blackbird from the dead.
As her home is torn apart, Kate’s discovery that she is one of the rare people who can cross the veil between life and death makes her the most hunted person in all of Albion. Captured and taken to the graveyard city of Fume—where her parents met their deaths ten years ago—Kate must harness her extraordinary powers to save herself, her country, and the two men she cares for most. And she’ll make a pact with a murderer to do it.
When Geniver Loxley lost her daughter at birth eight years ago, her world stopped… and never fully started again. Mothers with strollers still make her flinch; her love of writing has turned into a half-hearted teaching career; and she and her husband, Art, have slipped into the kind of rut that seems inescapable.
But then a stranger shows up on their doorstep, telling Gen the very thing she’s always wanted to hear: that her daughter Beth was not stillborn, but was taken away as a healthy infant and is still out there, somewhere, waiting to be found. It’s insane, unbelievable. But why would anyone make that up? A fissure suddenly opens up in Gen’s carefully reconstructed life, letting in a flood of unanswerable questions. Where is Beth now? Why is Art so reluctant to get involved? To save his wife from further hurt? Or is it something more sinister? And who can she trust to help her?
Ignoring the warnings of her husband and friends, Gen begins to delve into the dark corners of her past, hopeful she’ll find a clue to her daughter’s whereabouts. But hope quickly turns into fear and paranoia, as she realizes that finding the answers might open the door to something even worse than not knowing. A truth that could steal everything she holds close – even her own life.
Twenty-year-old Camryn Bennett had always been one to think out-of-the-box, who knew she wanted something more in life than following the same repetitive patterns and growing old with the same repetitive life story. And she thought that her life was going in the right direction until everything fell apart.
Determined not to dwell on the negative and push forward, Camryn is set to move in with her best friend and plans to start a new job. But after an unexpected night at the hottest club in downtown North Carolina, she makes the ultimate decision to leave the only life she’s ever known, far behind.
With a purse, a cell phone and a small bag with a few necessities, Camryn, with absolutely no direction or purpose boards a Greyhound bus alone and sets out to find herself. What she finds is a guy named Andrew Parrish, someone not so very different from her and who harbors his own dark secrets. But Camryn swore never to let down her walls again. And she vowed never to fall in love.
But with Andrew, Camryn finds herself doing a lot of things she never thought she’d do. He shows her what it’s really like to live out-of-the-box and to give in to her deepest, darkest desires. On their sporadic road-trip he becomes the center of her exciting and daring new life, pulling love and lust and emotion out of her in ways she never imagined possible. But will Andrew’s dark secret push them inseparably together, or tear them completely apart?
Kacey Cleary’s whole life imploded four years ago in a drunk-driving accident. Now she’s working hard to bury the pieces left behind—all but one. Her little sister, Livie. Kacey can swallow the constant disapproval from her born-again aunt Darla over her self-destructive lifestyle; she can stop herself from going kick-boxer crazy on Uncle Raymond when he loses the girls’ college funds at a blackjack table. She just needs to keep it together until Livie is no longer a minor, and then they can get the hell out of Grand Rapids, Michigan.
But when Uncle Raymond slides into bed next to Livie one night, Kacey decides it’s time to run. Armed with two bus tickets and dreams of living near the coast, Kacey and Livie start their new lives in a Miami apartment complex, complete with a grumpy landlord, a pervert upstairs, and a neighbor with a stage name perfectly matched to her chosen “profession.” But Kacey’s not worried. She can handle all of them. What she can’t handle is Trent Emerson in apartment 1D.
Kacey doesn’t want to feel. She doesn’t. It’s safer that way. For everyone. But sexy Trent finds a way into her numb heart, reigniting her ability to love again. She starts to believe that maybe she can leave the past where it belongs and start over. Maybe she’s not beyond repair.
But Kacey isn’t the only one who’s broken. Seemingly perfect Trent has an unforgiveable past of his own; one that, when discovered, will shatter Kacey’s newly constructed life and send her back into suffocating darkness.
In the tiny town of Titan Falls, New Hampshire, the paper mill dictates a quiet, steady rhythm of life. But one day a tragic bus accident sets two families on a course toward destruction, irrevocably altering the lives of everyone in their wake.
June McAllister is the wife of the local mill owner and undisputed first lady in town. But the Snow family, a group of itinerant ne'er-do-wells who live on a decrepit and cursed property, have brought her -- and the town -- nothing but grief.
June will do anything to cover up a dark secret she discovers after the crash, one that threatens to upend her picture-perfect life, even if it means driving the Snow family out of town. But she has never gone up against a force as fierce as the young Mercy Snow. Mercy is determined to protect her rebellious brother, whom the town blames for the accident, despite his innocence. And she has a secret of her own. When an old skeleton is discovered not far from the crash, it beckons Mercy to solve a mystery buried deep within the town's past.
Eveny Cheval just moved back to Louisiana after spending her childhood in New York with her aunt Bea. Eveny hasn’t seen her hometown since her mother’s suicide fourteen years ago, and her memories couldn’t have prepared her for what she encounters. Because pristine, perfectly manicured Carrefour has a dark side full of intrigue, betrayal, and lies—and Eveny quickly finds herself at the center of it all.
Enter Peregrine Marceau, Chloe St. Pierre, and their group of rich, sexy friends known as the Dolls. From sipping champagne at lunch to hooking up with the hottest boys, Peregrine and Chloe have everything—including an explanation for what’s going on in Carrefour. And Eveny doesn’t trust them one bit.
But after murder strikes and Eveny discovers that everything she believes about herself, her family, and her life is a lie, she must turn to the Dolls for answers. Something’s wrong in paradise, and it’s up to Eveny, Chloe, and Peregrine to save Carrefour and make it right.
What if you live for the moment when life goes off the rails—and then one day there’s no one left to help you get it back on track?
Althea Carter and Oliver McKinley have been best friends since they were six; she’s the fist-fighting instigator to his peacemaker, the artist whose vision balances his scientific bent. Now, as their junior year of high school comes to a close, Althea has begun to want something more than just best-friendship. Oliver, for his part, simply wants life to go back to normal, but when he wakes up one morning with no memory of the past three weeks, he can’t deny any longer that something is seriously wrong with him. And then Althea makes the worst bad decision ever, and her relationship with Oliver is shattered. He leaves town for a clinical study in New York, resolving to repair whatever is broken in his brain, while she gets into her battered Camry and drives up the coast after him, determined to make up for what she’s done.
Their journey will take them from the rooftops, keg parties, and all-ages shows of their North Carolina hometown to the pool halls, punk houses, and hospitals of New York City before they once more stand together and face their chances. Set in the DIY, mix tape, and zine culture of the mid-1990s, Cristina Moracho’s whip-smart debut is an achingly real story about identity, illness, and love—and why bad decisions sometimes feel so good.
Finn Easton sees the world through miles instead of minutes. It’s how he makes sense of the world, and how he tries to convince himself that he’s a real boy and not just a character in his father’s bestselling cult-classic book. Finn has two things going for him: his best friend, the possibly-insane-but-definitely-excellent Cade Hernandez, and Julia Bishop, the first girl he’s ever loved.
Then Julia moves away, and Finn is heartbroken. Feeling restless and trapped in the book, Finn embarks on a road trip with Cade to visit their college of choice in Oklahoma. When an unexpected accident happens and the boys become unlikely heroes, they take an eye-opening detour away from everything they thought they had planned—and learn how to write their own destiny.
The Doll Collection is exactly what it sounds like: a treasured toy box of all-original dark stories about dolls of all types, including everything from puppets and poppets to mannequins and baby dolls.
Featuring everything from life-sized clockwork dolls to all-too-human Betsy Wetsy-type baby dolls, these stories play into the true creepiness of the doll trope, but avoid the clichés that often show up in stories of this type.
Master anthologist Ellen Datlow has assembled a list of beautiful and terrifying stories from bestselling and critically acclaimed authors such as Joyce Carol Oates, Seanan McGuire, Carrie Vaughn, Pat Cadigan, Tim Lebbon, Richard Kadrey, Genevieve Valentine, and Jeffrey Ford. The collection is illustrated with photographs of dolls taken by Datlow and other devoted doll collectors from the science fiction and fantasy field. The result is a star-studded collection exploring one of the most primal fears of readers of dark fiction everywhere, and one that every reader will want to add to their own collection.
Rachel takes the same commuter train every morning. Every day she rattles down the track, flashes past a stretch of cozy suburban homes, and stops at the signal that allows her to daily watch the same couple breakfasting on their deck. She’s even started to feel like she knows them. “Jess and Jason,” she calls them. Their life—as she sees it—is perfect. Not unlike the life she recently lost.
And then she sees something shocking. It’s only a minute until the train moves on, but it’s enough. Now everything’s changed. Unable to keep it to herself, Rachel offers what she knows to the police, and becomes inextricably entwined in what happens next, as well as in the lives of everyone involved. Has she done more harm than good?
In LET'S PRETEND THIS NEVER HAPPENED, Jenny Lawson baffled readers with stories about growing up the daughter of a taxidermist. In her new book, FURIOUSLY HAPPY, Jenny explores her lifelong battle with mental illness. A hysterical, ridiculous book about crippling depression and anxiety? That sounds like a terrible idea. And terrible ideas are what Jenny does best.
According to Jenny: "Some people might think that being 'furiously happy' is just an excuse to be stupid and irresponsible and invite a herd of kangaroos over to your house without telling your husband first because you suspect he would say no since he's never particularly liked kangaroos. And that would be ridiculous because no one would invite a herd of kangaroos into their house. Two is the limit. I speak from personal experience. My husband says that none is the new limit. I say he should have been clearer about that before I rented all those kangaroos."
"Most of my favorite people are dangerously fucked-up but you'd never guess because we've learned to bare it so honestly that it becomes the new normal. Like John Hughes wrote in The Breakfast Club, 'We're all pretty bizarre. Some of us are just better at hiding it.' Except go back and cross out the word 'hiding.'"
Jenny's first book, LET'S PRETEND THIS NEVER HAPPENED, was ostensibly about family, but deep down it was about celebrating your own weirdness. FURIOUSLY HAPPY is a book about mental illness, but under the surface it's about embracing joy in fantastic and outrageous ways-and who doesn't need a bit more of that?
A Thirty-Something Girl follows the story of Hope. At the age of 30, she finds her life in utter shambles. Everything that could go wrong has – divorce, loss of a child, financial struggles. It is the love and unfettered support of her close friends who keep her from being lost in the quicksand of utter despair. As she slowly begins to wrap her head around who she is and what it means to be happy, she meets a man, Sam. Sam is also not a stranger to hardship and finds himself at his own crossroads. Together they find comfort and peace in one another; a soft, quiet place to fall, when the rest of the world is too hard and too noisy to inhabit.
A Thirty-Something Girl is a story about the power of human resilience, the importance of friendships, and the magic of true love. It is a story that teaches us (and reminds us) that happiness is actually a very simple concept: it is a choice. A choice we must remember to make each and every day.
The rest are parts of different series.
